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Dream life, I realized, was only confusing when you were awake. It was from the perspective of waking life that dream life seemed fractured and lacking consequence, lacking any certainty that one thing led to another. But from within dream life, the world was generally coherent. Not exactly an unconfusing world--just no more confusing than any other.
Waking was the most reliable part of a dream, as built into dreams as death is to life. You dream, you wake: you live, you die.
Every dream that anyone ever has is theirs alone and they never manage to share it. And they never manage to remember it either. Not truly or accurately. Not as it was. Our memories and our vocabularies aren't up to the job.
Uh... what can I say? Made money. Given a launch pad for a working life. Set a precedent I had no interest in following. Created expectations that I was not cut-out to match. Disappointed virtually all of my readers subsequently. But I like what I've done, and I stand by it all.
ALEX GARLAND, interview with Dennis Widmyer, Jul. 30, 2007
When I sit down to write a script I'm not planning to write a script, I'm planning to make a film, and so I only see the script as being just a step there.
ALEX GARLAND, Moviefone interview, Sep. 18, 2010
I don't keep a travel diary. I did keep a travel diary once and it was a big mistake. All I remember of that trip is what I bothered to write down. Everything else slipped away, as though my mind felt jilted by my reliance on pen and paper. For exactly the same reason I don’t travel with a camera. My holiday becomes the snapshots and anything I forget to record is lost.
Personally I don't think there's any real intrinsic difference between comic books, movies, theatre, novels. I know there's sure to be some differences of some sorts. I've worked on novels, films, and video games, and in an adaptation, I guess one of the issues is that I have to be in love with the thing I'm adapting before I do it. So that can cause a problem. You can be too scared of it. You could be too reverential. But at the same time you want to try to capture this thing that you're obsessed by. You're fixated for a reason. What's the reason? You try to get ahold of it.
ALEX GARLAND, Dork Shelf interview, Sep. 19, 2012
I don't like dealing with money transactions in poor countries. I get confused between the feeling that I shouldn't haggle with poverty and getting ripped off.
I think everything I write is from an atheist perspective. I mean, it's partly from an atheist perspective because I'm an atheist, and I'm just not really interested in religious-based questions.
ALEX GARLAND, Moviefone interview, Sep. 18, 2010
The success that comes from my books is not something I feel very comfortable with. Past a certain point you have to accept the idea that the success is a lot to do with the timing and luck and that divorces you from it massively. There are aspects of it that I haven’t got used to at all. But I’ve enjoyed some parts of it massively. It relates to the same reason I did a lot of backpacking — partly for the experience — it’s something to tell my grandkids. It’s a weird chain of events to have in your life.
ALEX GARLAND, Salon interview, Feb. 11, 2000
I wrote a whole novel before The Beach. Unpublishable. Junk. But, for some reason I stuck at novels and wrote a second. Still not sure why I didn't give up. Stubborn, maybe.
ALEX GARLAND, interview with Dennis Widmyer, Jul. 30, 2007
If I'd learnt one thing from travelling, it was that the way to get things done was to go ahead and do them. Don't talk about going to Borneo. Book a ticket, get a visa, pack a bag, and it just happens.
The thing about tourism is just that it’s incredibly powerful. It's like a gun and it's incredibly easy to be irresponsible with it. And the speed of the impact that tourism can have on a place can be quite breathtaking. It doesn't take years, it takes months. That’s how quickly it works. And it can be quite a bleak thing to witness.
ALEX GARLAND, Salon interview, Feb. 11, 2000
Normally, small talk is enough for me to form an opinion of someone. I make quick judgments, often completely wrong, and then stick by them rigidly.
I do all this alone, everything I achieve, I achieve alone, because it's my head I'm locked into, and I share this space with nobody but myself.
When you develop an infatuation for someone you always find a reason to believe that this is exactly the person for you. It doesn't need to be a good reason. Taking photographs of the night sky, for example. Now, in the long run, that’s just the kind of dumb, irritating habit that would cause you to split up. But in the haze of infatuation, it's just what you’ve been searching for all these years.
Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.
ALEX GARLAND, interview with Dennis Widmyer, Jul. 30, 2007
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