I hate everything which is not in myself.
NORMAN MAILER, The Naked and the Dead
New York is one of the capitals of the world and Los Angeles is a constellation of plastic.
NORMAN MAILER, Miami and the Siege of Chicago
There is nothing safe about sex. There never will be.
NORMAN MAILER, The International Herald Tribune, Jan. 24, 1992
Every moment of one's existence one is growing into more or retreating into less. One is always living a little more or dying a little bit.
NORMAN MAILER, Western Review, winter 1959
Obsession is the single most wasteful human activity, because with an obsession you keep coming back and back and back to the same question and never get an answer.
NORMAN MAILER, American Way, Jun. 15, 1995
There's that popular misconception of man as something between a brute and an angel. Actually man is in transit between brute and God.
NORMAN MAILER, The Naked and the Dead
Growth, in some curious way, I suspect, depends on being always in motion just a little bit, one way or another.
NORMAN MAILER, attributed, Ten Things Every Writer Needs to Know
It's a misperception of me that I am a wild man I wish I still were. I'm 68 years old. The rage now is, oh, so deep it's almost comfortable. It has even approached the point where I can live with it philosophically. The world's not what I want it to be. But then no one ever said I had the right to design the world.
NORMAN MAILER, Time Magazine, Sep. 30, 1991
God like Us suffers the ambition to make a destiny more extraordinary than was conceived for Him, yes God is like Me, only more so.
NORMAN MAILER, "Advertisement for Myself on the Way Out," Advertisements for Myself
We sail across dominions barely seen, washed by the swells of time. We plow through fields of magnetism. Past and future come together on thunderheads and our dead hearts live with lightning in the wounds of the Gods.
NORMAN MAILER, Ancient Evenings
My plots are always rudimentary. Whatever I've accomplished certainly does not depend on my virtuosity with plot. Generally I don't even have a plot. What happens is that my characters engage in an action, and out of that action little bits of plot sometimes adhere to the narrative. I never have to worry about lifting a plot, because I don't conceive of a book that way.
NORMAN MAILER, The Paris Review, winter-spring 1964
When you know too much information and you acquire it too easily, you tend to either use it in disagreeable ways, out of vanity, or you tend to be indiscriminate about it. I mean, in the old days, it was tricky, you had to go to various encyclopedias, you had to go to the library, maybe spend a day there, whatever. But in the end, if you found something, it was really exciting. Now you hit a couple of buttons and you get some information. Which, by the way, is almost always presented in that same goddamn mediocre style that characterizes the Internet for me. It is slightly deadening.
NORMAN MAILER, Rolling Stone, May 3, 2007
Why else lead a life of bad banquet dinners, cigar smoke, camp chairs, foul breath, and excruciatingly dull jargon if not to avoid the echoes of what is not known.
NORMAN MAILER, Superman Comes to the Supermarket
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