You can't force a thing to grow. You can't interfere with it. It's all hidden. It's all unseen. You just gotta wait til it pops up out of the ground. Tiny little shoot. Tiny little white shoot. All hairy and fragile. Strong enough. Strong enough to break the earth even. It's a miracle.
SAM SHEPARD, Buried Child
I feel like I've never had a home. You know? I feel related to the country, to this country, and yet I don't know exactly where I fit in. And the same thing applies to the theater. I don't know exactly how well I fit into the scheme of things. Maybe that's good, you know, that I'm not in a niche. But there's always this kind of nostalgia for a place, a place where you can reckon with yourself. Now I've found that what's most valuable about that place is not the place itself but the other people; that through other people you can find a recognition of each other. I think that's where the real home is.
SAM SHEPARD, Don Shewey's Sam Shepard
I like cars. I like travel. I like the idea of people breaking down and I'm the only one who can help them get on the road again. It would be like being a magician. Just open up the hood and cast your magic spell.
SAM SHEPARD, Curse of the Starving Class
The sides are being divided now. It’s very obvious. So if you’re on the other side of the fence, you’re suddenly anti-American. Its breeding fear of being on the wrong side. Democracy’s a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it’s no longer democracy, is it? It’s something else. It may be an inch away from totalitarianism.
SAM SHEPARD, The Village Voice, Nov. 12, 2004
I'm a writer. The more I act, the more resistance I have to it. If you accept work in a movie, you accept to be entrapped for a certain part of time, but you know you're getting out. I'm also earning enough to keep my horses, buying some time to write.
SAM SHEPARD, Don Shewey's Sam Shepard
I'll develop my own image. I'm an original man. A one and only. I just need some help.
SAM SHEPARD, The Tooth of Crime
We’re being sold a brand new idea of patriotism. It never occurred to me that patriotism had to be advertised. Patriotism is something you deeply felt. You didn’t have to wear it on your lapel or show it in your window or on a bumper sticker. That kind of patriotism does not appeal to me at all.
SAM SHEPARD, The Village Voice, Nov. 12, 2004
I was in the war. I know how to kill. I was over there. I know how to do it. I've done it before. It's no big deal. You just make an adjustment. You convince yourself it's all right. That's all. It's easy. You just slaughter them.
SAM SHEPARD, Curse of the Starving Class
You're never going to see the truth. [It's] what you're shooting for always and you always miss it. Every once in a while, you catch an edge of it. That's what's you hope for, I think, as an artist.
SAM SHEPARD, interview, 2005
I keep comin' down here thinkin' it's the fifties or somethin'. I keep finding myself getting off the freeway at familiar landmarks that turn out to be unfamiliar. On the way to appointments. Wandering down streets I thought I recognized that turn out to be replicas of streets I remember. Streets I misremember. Streets I can't tell if I lived on or saw in a postcard.
When you see the way things deteriorate before your very eyes. Everything running down hill. It's kind of silly to even think about youth.
SAM SHEPARD, Buried Child
The mind ain't nothing without the old body tagging along to follow things through.
Everyone wants a piece of land. It's the only sure investment. It can never depreciate like a car or a washing machine. Land will double its value in ten years. In less than that. Land is going up every day.
SAM SHEPARD, Curse of the Starving Class
When you die it's the end of your life.
Yes, sir! Nothing like a little amoebic dysentery to build up a man's immunity to his environment. That's the trouble with the States you know. Everything's so clean and pure and immaculate up there that a man doesn't even have a chance to build up his own immunity.... Before you know it them people ain't going to be able to travel nowhere outside their own country on account of their low resistance. An isolated land of purification.
- Which presentation of myself
- Would make you want to touch
- What would make you cross the border
The California I knew, old rancho California, is gone. It just doesn’t exist, except maybe in little pockets. I lived on the edge of the Mojave Desert, an area that used to be farm country. There were all these fresh-produce stands with avocados and date palms. You could get a dozen artichokes for a buck or something. Totally wiped out now.
SAM SHEPARD, The Paris Review, spring 1997
When I first started, I didn't really know how to structure a play. I could write dialogue, but I just sort of failed beyond that, and kind of went wherever I wanted to go.
SAM SHEPARD, Interview Magazine
When you're looking for someone, you're looking for some aspect of yourself, even if you don't know it ... What we're searching for is what we lack.
SAM SHEPARD, The Observer, Mar. 20, 2010
I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn’t know where to start.
SAM SHEPARD, The Paris Review, spring 1997
I think without writing I would feel completely useless.
SAM SHEPARD, The Observer, Mar. 20, 2010
Farm country -- you know, hay, horses, cattle. It's the ideal situation for me. I like the physical endeavors that go with the farm -- cutting hay, cleaning out stalls, or building a barn. You go do that and then come back to the writing.
SAM SHEPARD, The Paris Review, spring 1997
The great thing for me, now, is that writing has become more and more interesting. Not just as a craft but as a way into things that are not described. It's a thing of discovering. That's when writing is really working. You're on the trail of something and you don't quite know what it is.
SAM SHEPARD, The Observer, Mar. 20, 2010
My first job was with the Burns Detective Agency. They sent me over to the East River to guard coal barges during these god-awful hours like three to six in the morning. It wasn't a very difficult job -- all I had to do was make a round every fifteen minutes -- but it turned out to be a great environment for writing. I was completely alone in a little outhouse with an electric heater and a little desk.
SAM SHEPARD, The Paris Review, spring 1997
The funny thing about having all this so-called success is that behind it is a certain horrible emptiness.
SAM SHEPARD, The Observer, Mar. 20, 2010
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