American author (1929- )
Success is somebody else's failure.
URSULA K. LE GUIN
Dancing at the Edge of the World
I think ... that I when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I lived, the breath I breathed.
URSULA K. LE GUIN
The Other Wind
To learn a belief without belief is to sing a song without the tune.
URSULA K. LE GUIN
The Telling
I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived.
URSULA K. LE GUIN
The Language of the Night: Essays on Fantasy and Science Fiction
All times are changing times, but ours is one of massive, rapid moral and mental transformation. Archetypes turn into millstones, large simplicities get complicated, chaos becomes elegant, and what everybody knows is true turns out to be what some people used to think.
URSULA K. LE GUIN
foreward, Tales from Earthsea
Men who fight wars in winter don't live till spring.
URSULA K. LE GUIN
Planet of Exile
As you see, I bear some resentment and some scars from the years of anti-genre bigotry. My own fiction, which moves freely around among realism, magical realism, science fiction, fantasy of various kinds, historical fiction, young adult fiction, parable, and other subgenres, to the point where much of it is ungenrifiable, all got shoved into the Sci Fi wastebasket or labeled as kiddilit--subliterature.
URSULA K. LE GUIN
interview, Electric Lit, August 7, 2014
Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!
URSULA K. LE GUIN
introduction, The Left Hand of Darkness
Love doesn't just sit there, like a stone, it has to be made, like bread; re-made all the time, made new.
URSULA K. LE GUIN
The Lathe of Heaven
You know, I don't think a lot about why one book connects with its readers and another doesn't. Probably because I don't want to start thinking, "Am I popular?" I spent way too much time thinking about that in high school.
URSULA K. LE GUIN
interview, Salon, November 17, 2014
The hunger of a dragon is slow to wake, but hard to sate.
URSULA K. LE GUIN
A Wizard of Earthsea
We're each of us alone, to be sure. What can you do but hold your hand out in the dark?
URSULA K. LE GUIN
The Unreal and the Real: Selected Stories, vol. ii
Well, we think that time "passes," flows past us, but what if it is we who move forward, from past to future, always discovering the new? It would be a little like reading a book, you see. The book is all there, all at once, between its covers. But if you want to read the story and understand it, you must begin with the first page, and go forward, always in order. So the universe would be a very great book, and we would be very small readers.
URSULA K. LE GUIN
The Dispossessed
When the enemy enthusiastically embraces you, and the fellow countrymen bitterly reject you, it is hard not to wonder if you are, in fact, a traitor.
URSULA K. LE GUIN
The Dispossessed
My imagination makes me human and makes me a fool; it gives me all the world and exiles me from it.
URSULA K. LE GUIN
Harper's magazine, August 1990
Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.
URSULA K. LE GUIN
"A Message About Messages", CBC Magazine
True myth may serve for thousands of years as an inexhaustible source of intellectual speculation, religious joy, ethical inquiry, and artistic renewal. The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blond Hero -- really look -- and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. "You must change your life," he said. When true myth rises into consciousness, that is always its message. You must change your life.
URSULA K. LE GUIN
"Myth and Archetype in Science Fiction", 1976
The same old hypocrisy. Life is a fight, and the strongest wins. All civilization does is hide the blood and cover up the hate with pretty words!
URSULA K. LE GUIN
The Dispossessed
I have never found anywhere, in the domain of art, that you don't have to walk to. (There is quite an array of jets, buses and hacks which you can ride to Success; but that is a different destination.) It is a pretty wild country. There are, of course, roads. Great artists make the roads; good teachers and good companions can point them out. But there ain't no free rides, baby. No hitchhiking. And if you want to strike out in any new direction -- you go alone. With a machete in your hand and the fear of God in your heart.
URSULA K. LE GUIN
The Language of the Night
The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can't lick 'em, join 'em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else.
URSULA K. LE GUIN
"The Ones Who Walk Away from Omelas"