American author (1929- )
Realism is a very sophisticated form of literature, a very grown-up one. And that may be its weakness. But fantasy seems to be eternal and omnipresent and always attractive to kids.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
Revolution is our obligation: our hope of evolution.
URSULA K. LE GUIN
The Dispossessed
Living, being in the world, was a much greater and stranger thing than she had ever dreamed.
URSULA K. LE GUIN
The Tombs of Atuan
No, I don't mean love, when I say patriotism. I mean fear. The fear of the other. And its expressions are political, not poetical: hate, rivalry, aggression. It grows in us, that fear. It grows in us year by year.
URSULA K. LE GUIN
The Left Hand of Darkness
O foolish writer. Now moves. Even in storytime, dreamtime, once-upon-a-time, now isn't then.
URSULA K. LE GUIN
foreward, Tales from Earthsea
To which Silence of course made no reply, letting him hear what he had said and feel its foolishness thoroughly.
URSULA K. LE GUIN
Tales from Earthsea
It's not a weapon or a woman can make a man, or magery either, or any power, anything but himself.
URSULA K. LE GUIN
Tehanu
Morality is an utterly meaningless term unless defined as the good one does to others, the fulfilling of one's function in the sociopolitical whole.
URSULA K. LE GUIN
The Lathe of Heaven
Nothing succeeds like success.
URSULA K. LE GUIN
The Left Hand of Darkness
Predictions are uttered by prophets (free of charge); by clairvoyants (who usually charge a fee, and are therefore more honored in their day than prophets); and by futurologists (salaried). Prediction is the business of prophets, clairvoyants, and futurologists. It is not the business of novelists. A novelist's business is lying.
URSULA K. LE GUIN
introduction, The Left Hand of Darkness
There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader--and the writer.
URSULA K. LE GUIN
interview, Electric Lit, August 7, 2014
Virginity is now a mere preamble or waiting room to be got out of as soon as possible; it is without significance. Old age is similarly a waiting room, where you go after life’s over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.
URSULA K. LE GUIN
"The Space Crone", Co-Evolution Quarterly, summer 1976
When action grows unprofitable, gather information; when information grows unprofitable, sleep.
URSULA K. LE GUIN
The Left Hand of Darkness
Between thought and spoken word is a gap where intention can enter, the symbol be twisted aside, and the lie come to be.
URSULA K. LE GUIN
City of Illusions
Darkness is only in the mortal eye, that thinks it sees, but sees not.
URSULA K. LE GUIN
The Left Hand of Darkness
Fire and fear, good servants, bad lords.
URSULA K. LE GUIN
The Left Hand of Darkness
For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
Go to bed; tired is stupid.
URSULA K. LE GUIN
A Wizard of Earthsea
Greed puts out the sun.
URSULA K. LE GUIN
The Other Wind
He arrived at ideas the slow way, never skating over the clear, hard ice of logic, nor soaring on the slipstreams of imagination, but slogging, plodding along on the heavy ground of existence. He did not see the connections, which is said to be the hallmark of intellect. He felt connections--like a plumber.
URSULA K. LE GUIN
The Lathe of Heaven