WRITING QUOTES VIII

quotations about writing

There are only two kinds of books which you can write and be pretty sure you're going to make a living -- cook books and detective stories.

REX STOUT

Royal Decree: Conversations with Rex Stout

Tags: Rex Stout


Writing is about growth, challenge and change. Without those things, there's no joy in it.

VERONICA ROTH

"Best-Selling Author Veronica Roth Tells What Writing Books Is Really Like", Entrepreneur, March 30, 2017


With pen and with pencil we're learning to say
Nothing, more cleverly every day.

WILLIAM ALLINGHAM

"Blackberries"

Tags: William Allingham


Every writer is an iron-monger that melts down old junk into new steel.

AUSTIN O'MALLEY

Keystones of Thought

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You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.

CARLOS RUIZ ZAFON

"The Shadow Maker", The Telegraph, November 27, 2005

Tags: Carlos Ruiz Zafon


Every writer in the country can write a beautiful sentence, or a hundred. What I am interested in is the ugly sentence that is also somehow beautiful.

DONALD BARTHELME

"On Paraguay"

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There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman.

EMILE ZOLA

letter to Cezanne

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Fiction is based on reality unless you're a fairy-tale artist, you have to get your knowledge of life from somewhere. You have to know the material you're writing about before you alter it.

HUNTER S. THOMPSON

interview, Associated Press, 2003


Irish English is a very different beast from English English or American English. Very different. The way in which Irish writers are only too happy to infuse their language with ambiguity is very different. An English writer will try to be clear. Orwell said that good prose should be like a pane of glass. The Irish writer would say: 'No no, it's a lens, it distorts everything.'

JOHN BANVILLE

"Oblique dreamer", The Guardian, September 17, 2000

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Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale's department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.

KURT VONNEGUT

attributed, Quit Your Day Job!

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You are that most ambiguous of citizens, the writer.

SAMUEL R. DELANY

The Motion of Light in Water

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Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

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But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action.

ARISTOTLE

Poetics

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Here are the two states in which you may exist: person who writes, or person who does not. If you write: you are a writer. If you do not write: you are not. Aspiring is a meaningless null state that romanticizes Not Writing. It's as ludicrous as saying, "I aspire to pick up that piece of paper that fell on the floor." Either pick it up or don't. I don’t want to hear about how your diaper's full. Take it off or stop talking about it.

CHUCK WENDIG

The Kick-Ass Writer


No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

GAIL CARSON LEVINE

interview, Bookshop Talk, September 22, 2011

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Composition is a process of combination, in which thought puts together complementary truths, and talent fuses into harmony the most contrary qualities of style. So that there is no composition without effort, without pain even, as in all bringing forth. The reward is the giving birth to something living--something, that is to say, which, by a kind of magic, makes a living unity out of such opposed attributes as orderliness and spontaneity, thought and imagination, solidity and charm.

HENRI-FREDERIC AMIEL

Journal Intime

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Lucky the one who writes in a book of spiral-bound mornings
a future in ink, who writes hand unshaking

JANE HIRSHFIELD

"Sweater"

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Making a book is a craft, like making a clock; it needs more than native wit to be an author.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


When you finish one book, you don't want to just write the same book again.

JEFFREY EUGENIDES

Slate, October 10, 2011


Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.

JOAN DIDION

The Paris Review, spring 2006