WRITING QUOTES XII

quotations about writing

Gotta have a head like a wrecking ball, a spirit like one of them punching clown dummies that always weeble-wobbles back up to standing. This takes time. Stories need to find the right home, the right audience. Stick with it. Quitting is for sad pandas.

CHUCK WENDIG

250 Things You Should Know About Writing

Tags: Chuck Wendig


I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don't feel that way about it. Sometimes it's difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think ... that's your signpost and your guide. You'll never get there, but without it you won't get anywhere.

CORMAC MCCARTHY

interview with Oprah Winfrey, June 1, 2008


We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.

TANITH LEE

"Love & Death & Publishers", Locus Magazine, April 1998

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Write only of what is important and eternal.

ANTON CHEKHOV

The Seagull


The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.

JOHN STEINBECK

New York Times, June 2, 1969

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Write as the wind blows and command all words like an army!

HILAIRE BELLOC

The Path to Rome

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Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent--which attitude certainly has a great deal to support it. On the other hand, it is only because the world looks on his talent with such frightening indifference that the artist is compelled to make his talent important.

JAMES BALDWIN

Notes of a Native Son

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He did not seem to know enough about the people in his novel. They did not seem to trust him.

JAMES BALDWIN

Another Country

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No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

GAIL CARSON LEVINE

interview, Bookshop Talk, September 22, 2011

Tags: Gail Carson Levine


The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


Clearly there is no moral obligation to write in any particular way. But there is a moral obligation, I think, not to ally oneself with power against the powerless. An artist, in my definition of the word, would not be someone who takes sides with the emperor against his powerless subjects.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra


Hate the autocracy of the kept gates all you like, but the forge of rejection purifies us (provided it doesn't burn us down to a fluffy pile of cinder). The writer learns so much from rejection about himself, his work, the market, the business. Even authors who choose to self-publish should, from time to time, submit themselves to the scraping talons and biting beaks of the raptors of rejection. Writers who have never experienced rejection are no different than children who get awards for everything they do: they have already found themselves tap-dancing at the top of the "I'm-So-Special" mountain, never having to climb through snow and karate chop leopards to get there.

CHUCK WENDIG

"25 Things Writers Should Know About Rejection", Terrible Minds


Writing a killer first line to a novel is an art form in which there are a few masters and a great many apprentices.

CHUCK WENDIG

"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds


I'm not interested in writing for adults. I like them as people! I don't like the way they publish books in that world. Nothing ever gets a chance.

JOHN GREEN

Huffington Post, October 12, 2012


You know nobody's ever going to see the stuff, but you have to write through it. You're just trying to satisfy some grim, barren mandate. There's probably a German word for that.

JOHN JEREMIAH SULLIVAN

The Paris Review, winter 2012


Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.

ALEX GARLAND

interview with Dennis Widmyer, July 30, 2007

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The only characters I've made to resemble real people have been grotesques.

GLEN COOK

interview, SF Site, September 2005

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It's very unlikely that a writer is going to make a living by writing. So then the question is: how do you balance work, life, and writing? If you find out, please tell me.

KELLY LINK

interview, Apex Magazine, July 2, 2013

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The privilege of being a writer is that you have this opportunity to slow down and to consider things.

CHRIS ABANI

interview, UTNE Reader, June 2010

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When I am asked how or why I wrote this or that, I always find myself quite embarassed. I would gladly furnish not merely the questioner, but myself as well, with an exhaustive answer, but can never do so. I cannot recreate the context in its entirety, yet I wish that I could, so that at least the literature I myself make might be made slightly less of a mysterious process than bridge-building and bread-baking.

HEINRICH BÖLL

Nobel Lecture, May 2, 1973

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