quotations about writing
He who will not listen to any advice, nor be corrected in his writings, is a rank pedant.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
If there is a special Hell for writers it would be in the forced contemplation of their own works.
JOHN DOS PASSOS
New York Times, October 25, 1959
There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.
JOHN DOS PASSOS
New York Times, November 23, 1941
The reason I write so slowly is because I try never to leave a sentence until it's as perfect as I can make it. So there isn't a word in any of my books that hasn't been gone over 40 times.
TOM ROBBINS
"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993
Writers are a little below clowns and a little above trained seals.
JOHN STEINBECK
Quote Magazine, June 18, 1961
The novelist is like the conductor of an orchestra, his back to the audience, his face invisible, summoning the experience of music for the people he cannot see. The writer as conductor also gets to compose the music and play all of the instruments, a task less formidable than it seems. What it requires is the conscious practice of providing an extraordinary experience for the reader, who should be oblivious to the fact that he is seeing words on paper.
SOL STEIN
Stein on Writing
The art is never about what you write about. The art is about how you write about what you write about.
CHRIS ABANI
attributed, Stylistic Approaches to Nigerian Fiction
The easier a thing is to write then the more the writer gets paid for writing it. (And vice versa: ask the poets at the bus stop.)
MARTIN AMIS
The Information
Great novelists are philosopher-novelists who write in images instead of arguments.
ALBERT CAMUS
The Myth of Sisyphus
Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.
AMY HEMPEL
The Paris Review, summer 2003
Fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself. This is not to say you are passive. You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens. You have to write the story you find in the circumstances you've created, because more often than not the ducks don't show up. The hunters in the next blind begin to argue, and you realize they're in love. You see a snake swimming in your direction. Your dog begins to shiver and whine, and you start to think about this gun that belonged to your father. By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
ANN PATCHETT
What Now?
I wrote without much effort; for I was rich, and the rich are always respectable, whatever be their style of writing.
JANE AUSTEN
letter to Cassandra Austen, June 20, 1808
Just as the light and weightless vegetation of saltpeter floats over the old walls of houses as soon as the owner gets careless, so the literary vocation springs up in you.
FEDERICO GARCIA LORCA
letter to Jose Bello, summer 1925
We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time.
ANNE LAMOTT
Bird by Bird
Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016
When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.
DANIEL GRIFFIN
"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016
Prison always has been a good place for writers, killing, as it does, the twin demons of mobility and diversion.
DAN SIMMONS
Hyperion
Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its power.
JOAN DIDION
Joan Didion: Essays & Conversations
Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.
JANE HIRSHFIELD
Nine Gates: Entering the Mind of Poetry
After a while the business end of writing takes too much of the writing time. Better to pay someone ten percent and find that you're still more than ten percent ahead in the end. Which is true. My present agent says that he always feels that a good agent during the course of a year should earn back for his client at least the ten percent he takes by way of commission, so the client's really nothing out. And what he should ideally do is make him more money than the ten percent.
ROGER ZELAZNY
interview, Phlogiston, 1995