WRITING QUOTES X

quotations about writing

After all, the original way of writing books may turn out to be the best. The first author, it is plain, could not have taken anything from books, since there were no books for him to copy from; he looked at things for himself.

WALTER BAGEHOT

Literary Studies

Tags: Walter Bagehot


Writing is -- at least for me -- movement forward, the conquest of a body that I do not know at all, away from something to something that I do not yet know; I never know what will happen -- and here 'happen' is not intended as plot resolution, in the sense of classical dramaturgy, but in the sense of a complicated and complex experiment that with given imaginary, spiritual, intellectual and sensual materials in interaction strives -- on paper to boot! -- towards incarnation.

HEINRICH BÖLL

Nobel Lecture, May 2, 1973


Writers in this country, particularly novelists, are likely to come to the medium through some back door. Nearly every writer I know was going to be something else, and then found himself writing by a kind of passionate default.

JOHN BARTH

The Paris Review, spring 1985

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When I'm writing I find it's the only time that I feel completely self-possessed, even when the writing itself is not going too well. It's fine therapy for people who are perpetually scared of nameless threats as I am most of the time.

WILLIAM STYRON

The Paris Review, spring 1954


We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time.

ANNE LAMOTT

Bird by Bird

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Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

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One writes because one has been touched by the yearning for and the despair of ever touching the Other.

CHARLES SIMIC

The Unemployed Fortune-Teller

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I know exactly what I want to write. I do not write until I do. Usually I write it all down only once. And that goes relatively quickly, since it really depends only on how fast I type.

HANNAH ARENDT

interview, ZDF TV, Zur Person, October 28, 1964

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I have not felt in a humor to entertain you if I had taken up my pen. Perhaps some unbecoming invective might have fallen from it.

ABIGAIL ADAMS

letter to John Adams, May 7, 1776

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Writing books is the closest men ever come to childbearing.

NORMAN MAILER

The New York Times Book Review, September 17, 1965

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To turn experience into speech -- that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it -- is always a betrayal of experience, a falsification of it; but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.

JOHN BARTH

The End of the Road

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To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain


There are probably seven persons, in all, who really like my work; and they are enough. I should write even if I were the only patient reader, for my aim is merely self-expression.

H. P. LOVECRAFT

"The Defence Remains Open!"

Tags: H. P. Lovecraft


Should novels generally be 600 pages? No, they should not. Half of writing, maybe 3/4 of writing, is editing. This seems to be a thing that has not gotten through to them. It's my impression that you could get rid of half of most of these books. These people are not good enough to be this long, but they're apparently also not good enough to be shorter.

FRAN LEBOWITZ

interview, Ruminator Magazine, August/September 2005

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Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale's department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.

KURT VONNEGUT

attributed, Quit Your Day Job!

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Lucky the one who writes in a book of spiral-bound mornings
a future in ink, who writes hand unshaking

JANE HIRSHFIELD

"Sweater"

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In secluding himself too much from society, an author is in danger of losing that intimate acquaintance with life which is the only sure foundation of power in a writer.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

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In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.

SAMUEL R. DELANY

The Jewel-Hinged Jaw


I think without writing I would feel completely useless.

SAM SHEPARD

The Observer, March 20, 2010

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I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite, and I try to learn as much as I can on my own before I show it to my editor at The New Yorker. I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.

DAVID SEDARIS

Oasis Magazine, June 2008