WRITING QUOTES XVI

quotations about writing

The more books we read, the clearer it becomes that the true function of a writer is to produce a masterpiece and that no other task is of any consequence.

CYRIL CONNOLLY

The Selected Essays of Cyril Connolly

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Sometimes I think that my best writing comes from exposing my fears and vulnerabilities and hoping that nobody notices it's about me.

VICTORIA LAURIE

Twitter post, October 13, 2014

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I have friends, some of whom are spectacularly good writers, who really want someone to edit them. I don't register that impulse. It's like the impulse for wanting a dog.

FRAN LEBOWITZ

interview, A. V. Club, June 17, 2011

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Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.

KELLY LINK

interview, Apex Magazine, July 2, 2013

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That's also part of having great editors -- they can sort of be honest with you and say, "I see where you're headed with this, but I don't think it's there yet. Dig deeper, babe, and come back with something more." And that's what you do, you dig waaaaaaaay down and you walk around the block eight million times and then you have it -- shazam! And it all comes together in something soooo much better than you thought you were capable of.

VICTORIA LAURIE

interview, Author's Den

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My gratitude for good writing is unbounded; I'm grateful for it the way I'm grateful for the ocean.

ANNE LAMOTT

Bird by Bird

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Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016


Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.

TOBIAS WOLFF

Continuum, summer 1998

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He that writes to himself, writes to an eternal public.

ELIZA COOK

Diamond Dust

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The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.

JULIAN BARNES

Flaubert's Parrot

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Writing is like hunting. There are brutally cold afternoons with nothing in sight, only the wind and your breaking heart. Then the moment when you bag something big.... This is a trophy brought back from the further realm, the kingdom of perpetual glistening night where we know ourselves absolutely. This one goes on the wall.

KATE BRAVERMAN

attributed, From Book to Bestseller


A major character has to come somehow out of the unconscious.

GRAHAM GREENE

New York Times, October 9, 1985


I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."

ROGER ZELAZNY

interview, Phlogiston, 1995


We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.

GARRISON KEILLOR

"Who Has Time to Be a Writer?", Salon, August 11, 1998

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A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.

GRAHAM GREENE

The End of the Affair

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I find writing extremely difficult. I usually have to drag myself to my desk, mainly because I doubt myself. And it's getting harder because I want to improve with every book. Sometimes I guess it's best just to forget there's an audience and just write like no one will ever read it at all.

MARKUS ZUSAK

"Why I Write", The Guardian, March 28, 2008


I don't begin a novel with a shopping list--the novel becomes my shopping list as I write it. It's like that joke about the violin maker who was asked how he made a violin and answered that he started with a piece of wood and removed everything that wasn't a violin. That's what I do when I'm writing a novel, except somehow I'm simultaneously generating the wood as I'm carving it.

WILLIAM GIBSON

The Paris Review, summer 2011


I write because I hate. A lot. Hard.

WILLIAM H. GASS

The Paris Review, summer 1977

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I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.

PETER CAREY

The Paris Review, summer 2006

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The writer is often faced with two choices--turn away from the reality of life's intimidating complexity or conquer its mystery by battling with it. The writer who chooses the former soon runs out of energy and produces elegantly tired fiction.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra