quotations about writing
The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.
ARISTOTLE
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Poetics
Someone watches over us when we write. Mother. Teacher. Shakespeare. God.
MARTIN AMIS
London Fields
Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.
EDGAR ALLAN POE
"The Philosophy of Composition"
Most writer zombies don't realize they are the undead, because they do just enough to convince themselves (and others) that they are actual writers. They talk a lot about writing -- boy, are writer zombies great talkers -- going on for hours about the screenplay or pilot they're supposedly writing or will write once they have the time. They also read writing books and blogs and take seminars because that makes them feel like they are in the game. And they take classes, especially those that impose short-term deadlines, because that gets them writing, which makes them feel alive. But once the class is over, they almost always go back to their zombie ways.
COREY MANDELL
"Beware the Writing Zombies", Huffington Post, February 25, 2016
I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.
JEFF ABBOTT
"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017
I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.
PHILIP ROTH
Deception: A Novel
Human nature provides the lyrics, and we novelists just compose the music.
CARLOS RUIZ ZAFON
"An interview with Carlos Ruiz Zafon", Book Browse
Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!
URSULA K. LE GUIN
introduction, The Left Hand of Darkness
Dear Aspiring Author; Write with heart. Put that open, honest, bare soul on paper.
VICTORIA LAURIE
Twitter post, December 3, 2014
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
Writing, in whatever form, is your own personal progress report. There's nothing I love more than curling up with tea and reading back over my past, error-riddled posts. It's an indescribable connection that you simply can't get from a photo or memory alone. Think of it as the only true insight your future self has into you, as you are today. Blog for yourself and the rest will follow.
BIANCA BASS
"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016
Well, there are certain stock words that I have found myself using a great deal. When I become aware of them, it is an alarm signal meaning I am falling back on something that has served in the past--it is a sign of not thinking at the present moment, not that there is anything intrinsically bad about certain words or phrases.
JOHN ASHBERY
interview, The Paris Review, winter 1983
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
KELLY LINK
interview, Apex Magazine, July 2, 2013
Things that you write are in some degree autobiographical, but the first thing you find out about autobiography is that it's the hardest thing in the world to write. It's hard because it's very difficult to be absolutely factual about yourself. So ... when you write, you may draw on facts from your own life, but if their not in harmony with your story, they're worse than useless. You just stumble over them.
SAUL BELLOW
Q & A at Howard Community College, February 1986
There is only one way to make money at writing, and that is to marry a publisher's daughter.
GEORGE ORWELL
Down and Out in Paris and London
There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.
DONALD BARTHELME
"A Symposium of Fiction"
The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.
ANAÏS NIN
The Diary of Anaïs Nin
So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens.
KOBO ABE
The Face of Another
Nowadays three witty turns of phrase and a lie make a writer.
GEORG CHRISTOPH LICHTENBERG
"Notebook D", Aphorisms
My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration. You sit down, it helps your subconscious understand that it's time to start writing and to relax down into that well of dream material and memory and imagination. So, I sit down at the exact same time every day. And I let myself write really awful first drafts of things. I take very short assignments; I will capture for myself in a few words what I'm going to be trying to do that morning, or in that hour. Maybe I'm going to write a description of the lake out in Inverness in West Marin, where I live. And so I try to keep things really small and manageable. I have a one-inch picture frame on my desk so I can remember that that's all I'm going to be able to see in the course of an hour or two, and then I just let myself start and it goes really badly most mornings; as it does for most writers.
ANNE LAMOTT
interview, Big Think, April 6, 2010