WRITING QUOTES XX

quotations about writing


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I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.

JEANETTE WINTERSON
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The Paris Review, winter 1997


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Tags: Jeanette Winterson


As the deadline looms, my quality of writing is in danger of declining all because I just had to check my email.

GERI SPIELER

"The Dangers of Distracted Writing", Huffington Post, February 28, 2016


I'm an into-the-mist writer in terms of plotting, and my process in general is very intuitive. Since my series characters are well established, what usually happens is they start talking in my head, and I'd better grab a pad and pen or hit the digital recorder feature on my iPhone or get to the keyboard before it goes away.

ELIZABETH ZELVIN

interview, Kings River Life Magazine, May 2012

Tags: Elizabeth Zelvin


When I was teaching -- I taught for a while -- my students would write as if they were raised by wolves. Or raised on the streets. They were middle-class kids and they were ashamed of their background. They felt like unless they grew up in poverty, they had nothing to write about. Which was interesting because I had always thought that poor people were the ones who were ashamed. But it's not. It's middle-class people who are ashamed of their lives. And it doesn't really matter what your life was like, you can write about anything. It's just the writing of it that is the challenge. I felt sorry for these kids, that they thought that their whole past was absolutely worthless because it was less than remarkable.

DAVID SEDARIS

January Magazine, June 2000

Tags: David Sedaris


If there is an occupational hazard to writing, it's drinking.

CORMAC MCCARTHY

New York Times, April 19, 1992

Tags: Cormac McCarthy


The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

ANAÏS NIN

The Diary of Anaïs Nin


Getting even is one great reason for writing.... But getting even isn't necessarily vicious. There are two ways of getting even: one is destructive and the other is restorative. It depends on how the scales are weighted.

WILLIAM H. GASS

The Paris Review, summer 1977


Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

Tags: Ursula K. Le Guin


The world is a hellish place, and bad writing is destroying the quality of our suffering. It cheapens and degrades the human experience, when it should inspire and elevate.

TOM WAITS

"Strange Innocence", Vanity Fair, July 2001

Tags: Tom Waits


The reason I write so slowly is because I try never to leave a sentence until it's as perfect as I can make it. So there isn't a word in any of my books that hasn't been gone over 40 times.

TOM ROBBINS

"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993

Tags: Tom Robbins


I like to have a hero a little underpowered. I mean, Spiderman is far cooler than Superman. How do you challenge Superman?

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010

Tags: Patricia Briggs


In creating the strange milieu in which your story takes place, you must first understand as well as you possibly can the familiar milieu in which your own life is taking place. Until you have examined and comprehended the world around you, you can't possibly create a complex and believable imaginary world.

ORSON SCOTT CARD

How to Write Science Fiction and Fantasy


Everybody writes a book too many.

MORDECAI RICHLER

"Sayings of the Week", The Observor, January 9, 1985

Tags: Mordecai Richler


There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.

MIGUEL DE CERVANTES

Don Quixote

Tags: Miguel de Cervantes


Well, there are certain stock words that I have found myself using a great deal. When I become aware of them, it is an alarm signal meaning I am falling back on something that has served in the past--it is a sign of not thinking at the present moment, not that there is anything intrinsically bad about certain words or phrases.

JOHN ASHBERY

interview, The Paris Review, winter 1983

Tags: John Ashbery


I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.

J. D. SALINGER

"Seymour: An Introduction"

Tags: J. D. Salinger


When I am asked how or why I wrote this or that, I always find myself quite embarassed. I would gladly furnish not merely the questioner, but myself as well, with an exhaustive answer, but can never do so. I cannot recreate the context in its entirety, yet I wish that I could, so that at least the literature I myself make might be made slightly less of a mysterious process than bridge-building and bread-baking.

HEINRICH BÖLL

Nobel Lecture, May 2, 1973

Tags: Heinrich Böll


After being turned down by numerous publishers, he decided to write for posterity.

GEORGE ADE

"The Fable of the Bohemian Who Had Hard Luck", Fables in Slang

Tags: George Ade


There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.

DONALD BARTHELME

"A Symposium of Fiction"


You will always have days when you feel like an amateur. When it feels like everybody else is better than you. You will have this nagging suspicion that someone will eventually find you out, call you on your bullshit, realize you're the literary equivalent of a vagrant painting on the side of a wall with a piece of calcified poop. You will have days when the blank page is like being lost in a blizzard. You will sometimes hate what you wrote today, yesterday, or ten years ago. Bad days are part of the package. You just have to shut them out, swaddle your head in tinfoil, and keep writing anyway.

CHUCK WENDIG

The Kick-Ass Writer

Tags: Chuck Wendig