quotations about writing
If you want to write ... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.
RAY BRADBURY
attributed, Words from the Wise
I never quite know when I'm not writing. Sometimes my wife comes up to me at a party and says, "Dammit, Thurber, stop writing." She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, "Is he sick?" "No," my wife says, "he's writing something." I have to do it that way on account of my eyes. I still write occasionally--in the proper sense of the word--using black crayon on yellow paper and getting perhaps twenty words to the page. My usual method, though, is to spend the mornings turning over the text in my mind. Then in the afternoon, between two and five, I call in a secretary and dictate to her. I can do about two thousand words. It took me about ten years to learn.
JAMES THURBER
The Paris Review, fall 1955
Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?
CYRIL CONNOLLY
Enemies of Promise
So much of a novelist's writing, as I have said, takes place in the unconscious: in those depths the last word is written before the first word appears on the paper. We remember details of our story, we do not invent them.
GRAHAM GREENE
The End of the Affair
The truth I'm trying to convey is not a startling one, it is simply a peeling away of affectation. I use whatever gift I have to get behind the façade.
ANITA BROOKNER
The Paris Review, fall 1987
Now, writing every day, and being paid for it and encouraged to do it, it was as if, in the midst of the clichéd dark and stormy night, I found the magical inn, its windows golden lit, and Summer was due to start tomorrow. I can only work at one thing well. Deprive me of that, and my "back-up plan," even now, will be the empty, stormy, darkened heath -- where, incidentally, even unpublished, somehow I'll still be writing.
TANITH LEE
interview, Intergalactic Medicine Show
I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.
MARKUS ZUSAK
"On Top of His Game: SLJ Interviews Margaret A. Edwards Award Winner Markus Zusak", School Library Journal, June 2, 2014
The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
From the moment I start a new novel, life's just one endless torture. The first few chapters may go fairly well and I may feel there's still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book's no good, far inferior to my earlier ones, until I've wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it's finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that's nearly broken his back ... Then it starts all over again, and it'll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I've done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!
ÉMILE ZOLA
The Masterpiece
The trouble with writing fiction is that it has to make sense, whereas real life doesn't. It's incredibly annoying for us scribblers.
IAIN M. BANKS
"Iain Banks: The Final Interview", The Guardian, June 14, 2013
As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.
SARAH DESSEN
interview, Puffin Books
Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.
CHINUA ACHEBE
Anthills of the Savannah
I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.
LOUIS AUCHINCLOSS
interview, Bomb Magazine, fall 1997
Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich.
WILLIAM FAULKNER
The Paris Review, spring 1956
Mostly, we authors must repeat ourselves--that's the truth. We have two or three great moving experiences in our lives--experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.
F. SCOTT FITZGERALD
"One Hundred False Starts", Saturday Evening Post, March 4, 1933
Genre categories are irrelevant. I dislike them, but I do not have the casting vote. Writing is writing and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?
TANITH LEE
Tabula Rasa, October 1994
It is usual that the moment you write for publication--I mean one of course--one stiffens in exactly the same way one does when one is being photographed. The simplest way to overcome this is to write it to someone, like me. Write it as a letter aimed at one person. This removes the vague terror of addressing the large and faceless audience and it also, you will find, will give a sense of freedom and a lack of self-consciousness.
JOHN STEINBECK
The Paris Review, fall 1975
The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.
ROBERT STONE
attributed, A Writer's Book of Days
Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
MARTIN AMIS
The Paris Review, spring 1998
My plots are always rudimentary. Whatever I've accomplished certainly does not depend on my virtuosity with plot. Generally I don't even have a plot. What happens is that my characters engage in an action, and out of that action little bits of plot sometimes adhere to the narrative. I never have to worry about lifting a plot, because I don't conceive of a book that way.
NORMAN MAILER
The Paris Review, winter-spring 1964