WRITING QUOTES XXII

quotations about writing

With 60 staring me in the face, I have developed inflammation of the sentence structure and a definite hardening of the paragraphs.

JAMES THURBER

New York Post, June 30, 1955

Tags: James Thurber


The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.

GRAHAM GREENE

New York Times, October 9, 1985


The man, the writer, the instrument of the creation will die, but his creation does not die.

LUIGI PIRANDELLO

Six Characters in Search of an Author

Tags: Luigi Pirandello


To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.

KINGSLEY AMIS

The Amis Collection: Selected Non-fiction

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The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

ANAÏS NIN

The Diary of Anaïs Nin


Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.

KOBO ABE

The Frontier Within

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To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.

URSULA K. LE GUIN

The Guardian, December 17, 2005

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I'm a pretty autobiographical writer. I like a high ratio of true events to made-up events or rearranged events. I've always felt that if you think you can find a way to tell the truth and keep the fictional flux going, it's at least a good idea to try, because very often the truth is more interesting than the posed picture, the tableau. The messiness of truth is a useful corrective.

NICHOLSON BAKER

The Paris Review, fall 2011

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After you have written a thing and you reread it, there is always the temptation to fix it up, to improve it, to remove its poison, blunt its sting.

JEAN COCTEAU

The Paris Review, summer-fall, 1964


I write a sentence a thousand times, changing it all the time to look at it in different ways.

FRAN LEBOWITZ

The Paris Review, summer 1993

Tags: Fran Lebowitz


I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.

LOUIS ARAGON

Treatise on Style

Tags: Louis Aragon


I didn't want to be ignored. I didn't want my books to be ignored. But I didn't really care to cut such a figure either because ... well, it interferes with the business of writing.

SAUL BELLOW

Q & A at Howard Community College, February 1986


There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.

DONALD BARTHELME

"A Symposium of Fiction"


Everything you look at can be turned into a story ... you can make a tale of everything you touch.

HANS CHRISTIAN ANDERSEN

"The Elder Tree Mother"

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I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.

ADAM RAPP

interview, Bomb Magazine, spring 2006


We live in a world ruled by fictions of every kind--mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.

J. G. BALLARD

Crash

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After being turned down by numerous publishers, he decided to write for posterity.

GEORGE ADE

"The Fable of the Bohemian Who Had Hard Luck", Fables in Slang

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If I write novels in a country in which most citizens are illiterate, who then is my community?

CHINUA ACHEBE

Hopes and Impediments: Selected Essays


In creating the strange milieu in which your story takes place, you must first understand as well as you possibly can the familiar milieu in which your own life is taking place. Until you have examined and comprehended the world around you, you can't possibly create a complex and believable imaginary world.

ORSON SCOTT CARD

How to Write Science Fiction and Fantasy


Now, writing every day, and being paid for it and encouraged to do it, it was as if, in the midst of the clichéd dark and stormy night, I found the magical inn, its windows golden lit, and Summer was due to start tomorrow. I can only work at one thing well. Deprive me of that, and my "back-up plan," even now, will be the empty, stormy, darkened heath -- where, incidentally, even unpublished, somehow I'll still be writing.

TANITH LEE

interview, Intergalactic Medicine Show

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