quotations about writing
I've found it incredibly helpful to make writing a routine. I don't sit down with the intention of creating an article that goes viral or some savvy sales page. I sit down and force myself to get my thoughts out on paper or in my laptop. If we choose the same time everyday our physiology is automatically going to start getting prepared to allow thoughts to flow to paper. After awhile of doing this you might even find that your ideas start coming to you shortly before you're scheduled writing time. I've found myself skipping my morning tea because I had such great ideas/thoughts and wanted to quickly get them out of my head and onto paper.
DANIELLE SABRINA
"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016
Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.
EDGAR ALLAN POE
"The Philosophy of Composition"
Writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational.
JAMES M. CAIN
The Paris Review, spring-summer 1978
Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.
JEAN COCTEAU
Diary of an Unknown
The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.
JEFF ABBOTT
"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017
Writing is nothing more than a guided dream.
JORGE LUIS BORGES
preface, Dr. Brodie's Report
If you want to write ... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.
RAY BRADBURY
attributed, Words from the Wise
As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.
SARAH DESSEN
interview, Puffin Books
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
VIRGINIA WOOLF
The Common Reader
There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.
WALTER BAGEHOT
Literary Studies
Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.
YEVGENY ZAMYATIN
Theme and Plot
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
BENTLEY LITTLE
"The Summoning: An Interview with Bentley Little", Giants of the Genre
However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.
DONALD BARTHELME
"Not-Knowing"
There is absolutely everything in great fiction but a clear answer.
EUDORA WELTY
On Writing
Writing is a conversation, to me. The best kind. You can't get interrupted.
GERALD ASHER
speech at the Symposium for Professional Wine Writers, February 2011
One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.
GRAHAM GREENE
The Paris Review, autumn 1953
I couldn't imagine, and I don't say this with any pride, but I really couldn't imagine writing without a desperate deadline.
HUNTER S. THOMPSON
The Paris Review, fall 2000
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.
JOSÉ SARAMAGO
The Paris Review, winter 1998