quotations about writing
At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.
TENNESSEE WILLIAMS
foreword, Sweet Bird of Youth
Brevity is the sister of talent.
ANTON CHEKHOV
letter to A. P. Chekhov, April 11, 1889
Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.
SAUL BELLOW
Nobel lecture, December 12, 1976
Journalism is a good place for any writer to start -- the retailing of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.
GARRISON KEILLOR
"Post to the Host", July 2005
[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.
KIRBY LARSON
interview, Author Turf, March 6, 2014
In the mental disturbance and effort of writing, what sustains you is the certainty that on every page there is something left unsaid.
CESARE PAVESE
This Business of Living, May 4, 1942
However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.
DONALD BARTHELME
"Not-Knowing"
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
DORIS LESSING
The New York Times, April 22, 1984
The publishers want series, obviously. Originally, they wanted me to do the Garrett series along with another similar series, so it would be one book every six months. Eventually I'd just do the outlines and they'd get some poor unknown author to flesh out the stories. That's why you see so many books by a famous author and an unknown. You can make half the money basically by selling your name. The thing is, once your name is on enough bad books, maybe it isn't worth all that much any more.
GLEN COOK
interview, Quantum Muse
There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?
JOHN JEREMIAH SULLIVAN
"Everything is more complicated than you think", The Economist, November 14, 2011
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
GAIL CARSON LEVINE
interview, RIF Reading Planet
Writing a killer first line to a novel is an art form in which there are a few masters and a great many apprentices.
CHUCK WENDIG
"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds
I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.
LOUIS AUCHINCLOSS
interview, Bomb Magazine, fall 1997
I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.
JEFF ABBOTT
"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017
If I cannot be myself in what I write, then the whole is nothing but lies and humbug.
HENRIK IBSEN
letter to Björnstjerne Björnson, September 12, 1865
Mostly, we authors must repeat ourselves--that's the truth. We have two or three great moving experiences in our lives--experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.
F. SCOTT FITZGERALD
"One Hundred False Starts", Saturday Evening Post, March 4, 1933
The old, slow, creaking descriptions are a thing of the past; today the rule is brevity -- but every word must be supercharged, high-voltage.
YEVGENY ZAMYATIN
A Soviet Heretic
Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.
VIRGINIA WOOLF
A Room of One's Own
Better to write for yourself and have no public, than to write for the public and have no self.
CYRIL CONNOLLY
The New Statesman, February 25, 1933
The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères