quotations about writing
I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
I'm a pretty autobiographical writer. I like a high ratio of true events to made-up events or rearranged events. I've always felt that if you think you can find a way to tell the truth and keep the fictional flux going, it's at least a good idea to try, because very often the truth is more interesting than the posed picture, the tableau. The messiness of truth is a useful corrective.
NICHOLSON BAKER
The Paris Review, fall 2011
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again.
PHILIP ROTH
Ghost Writer
I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.
ELIF BATUMAN
The Paris Review, winter 2012
I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.
JEFF ABBOTT
"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017
I don't think I'm cut out for a job where you have to look professionally tidy. I prefer working in my pajamas and taking showers after lunch.
KELLY LINK
"Words by Flashlight", Sybil's Garage, June 7, 2006
I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.
LOUIS AUCHINCLOSS
interview, Bomb Magazine, fall 1997
I couldn't imagine, and I don't say this with any pride, but I really couldn't imagine writing without a desperate deadline.
HUNTER S. THOMPSON
The Paris Review, fall 2000
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
JEFF ABBOTT
Publisher's Weekly, May 30, 2011
Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.
YEVGENY ZAMYATIN
Theme and Plot
A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.
ROALD DAHL
Boy
You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success -- but only if you persist.
ISAAC ASIMOV
attributed, How to Become a Famous Writer Before You're Dead
Writing is nothing more than a guided dream.
JORGE LUIS BORGES
preface, Dr. Brodie's Report
Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of "somedays." Plant your ass and scribble, type, keyboard. If you have any talent at all, it will leak out despite your failure to pay attention in English.
GLEN COOK
interview, SF Site, September 2005
Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy ... it takes a mean author to write a good story.
GAIL CARSON LEVINE
Writing Magic
When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.
TENNESSEE WILLIAMS
The Paris Review, fall 1981
What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.
VIRGINIA WOOLF
"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf
Wearing down seven number-two pencils is a good day's work.
ERNEST HEMINGWAY
The Paris Review, spring 1958
The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length.
WILLIAM GIBSON
Twitter post, May 31, 2009
One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.
GRAHAM GREENE
The Paris Review, autumn 1953