WRITING QUOTES XXIX

quotations about writing

I've always considered writing the most hateful kind of work. I suspect it's a bit like f***ing -- which is fun only for amateurs. Old whores don't do much giggling.

HUNTER S. THOMPSON

The Great Shark Hunt: Strange Tales from a Strange Time

Tags: Hunter S. Thompson


Fundamentally, all writing is about the same thing. It's about dying, about the brief flicker of time we have here, and the frustration it creates.

MORDECAI RICHLER

attributed, Mordecai & Me


When I started out I just wanted to write books. I still do. It's the best job in the world for so many reasons. I wanted the thrill of seeing my books on the shelves in bookstores. I still do. The idea of someone reading my work, enjoying it was just amazing--and it still is. The bar rises, and that's a good thing. It pushes us to write smarter, write better, to dig deeper creatively. The bestseller lists, the awards, the sales or movies, they're all really delicious icing. But the work--the stories, the books--that's the cake. Too much icing without a really good, solid cake? It's going to make you fat, lazy and maybe a little bit sick. It's always about the cake first.

NORA ROBERTS

interview, inReads, October 5, 2011


I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.

NORMAN MAILER

attributed, The Writer's Quotation Book


Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.

SAUL BELLOW

Nobel lecture, December 12, 1976

Tags: Saul Bellow


The reason why so few good books are written is, that so few people who can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.

WALTER BAGEHOT

Shakespeare: The Man

Tags: Walter Bagehot


Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.

WALTER BENJAMIN

One-Way Street

Tags: Walter Benjamin


The old, slow, creaking descriptions are a thing of the past; today the rule is brevity -- but every word must be supercharged, high-voltage.

YEVGENY ZAMYATIN

A Soviet Heretic

Tags: Yevgeny Zamyatin


I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.

ADAM RAPP

interview, Bomb Magazine, spring 2006


To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?

CHINUA ACHEBE

Hopes and Impediments: Selected Essays


I can't write five words but that I change seven.

DOROTHY PARKER

The Paris Review, summer 1956


Writers, especially when they act in a body and with one direction, have great influence on the public mind.

EDMUND BURKE

Reflections on the Revolution in France

Tags: Edmund Burke


Every character is an extension of the author's own personality.

EDWARD ALBEE

The New York Times, September 18, 1966

Tags: Edward Albee


Wearing down seven number-two pencils is a good day's work.

ERNEST HEMINGWAY

The Paris Review, spring 1958

Tags: Ernest Hemingway


I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.

JEFF ABBOTT

Publisher's Weekly, May 30, 2011


I don't think I'm cut out for a job where you have to look professionally tidy. I prefer working in my pajamas and taking showers after lunch.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


Writing is eternal,
For therein the dead heart liveth, the clay-cold tongue is eloquent,
And the quick eye of the reader is cleared by the reed of the scribe.
As a fossil in the rock, or a coin in the mortar of a ruin,
So the symbolled thoughts tell of a departed soul:
The plastic hand hath its witness in a statue, and exactitude of vision in a picture,
And so, the mind, that was among us, in its writings is embalmed.

MARTIN FARQUHAR TUPPER

Proverbial Philosophy

Tags: Martin Farquhar Tupper


When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.

NICHOLSON BAKER

interview, Interview Magazine, September 16, 2013

Tags: Nicholson Baker


I would quit while you're ahead. Really, it's an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it's not any good. I would say just stop now. You don't want to do this to yourself. That's my advice to you.

PHILIP ROTH

advice to a young writer, "Writer meets Roth", New York writer Julian Tepper's blog


Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.

PHILIP ROTH

Paris Review, fall 1984