WRITING QUOTES XXXII

quotations about writing

I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.

NORMAN MAILER

attributed, The Writer's Quotation Book


You never know what you will learn till you start writing. Then you discover truths you never knew existed.

ANITA BROOKNER

attributed, Journal for You, 2003


Every character is an extension of the author's own personality.

EDWARD ALBEE

The New York Times, September 18, 1966

Tags: Edward Albee


There's no magic bullet for being a decent writer, or making people bond with your characters or fall in love with your story. Writing is a million different skills and challenges, and each story is different. But the more I struggle to make this work, the more I think there's one key thing that makes writing more excellent: Finding your own blind spots as an author, and trying to see into them.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


As the deadline looms, my quality of writing is in danger of declining all because I just had to check my email.

GERI SPIELER

"The Dangers of Distracted Writing", Huffington Post, February 28, 2016


Few sensible authors are happy discussing the creative process -- it is, after all, black magic, and may lose its power if we look that particular gift horse too closely in the mouth.

EDWARD ALBEE

introduction, Three Tall Women

Tags: Edward Albee


The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain


You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.

CHUCK WENDIG

The Kick-Ass Writer

Tags: Chuck Wendig


A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

ERNEST HEMINGWAY

Death in the Afternoon


The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.

RAY BRADBURY

Fahrenheit 451


Writing is always a rough translation from wordlessness into words.

CHARLES SIMIC

attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between


I have no pleasure in writing myself--none, in the mere act--though all pleasure in the sense of fulfilling a duty, whence, if I have done my real best, judge how heart-breaking a matter must it be to be pronounced a poor creature by critic this and acquaintance the other.

ROBERT BROWNING

letter to Elizabeth Barrett, March 12, 1845


As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013


Why write it? I thought it would earn me money.

ROBERT REED

interview, Fantasy & Science Fiction, December 18, 2012


Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?

CHUCK WENDIG

"25 Things Writers Should Know About Rejection", Terrible Minds


I spend a lot of time loathing the sentences that I put down on the page. Once I'm past that phase, it doesn't really matter what the routine is (coffee shop, someone else's house, my dining room table), I'm pretty fast. I go back to the start of whatever I'm working on, every half hour or so, and revise my way back to where I left off. I have my headphones on, I'm checking email, I look at Twitter and Tumblr, and drink a lot of coffee. I need a lot of distraction to work.

KELLY LINK

interview, Electric Lit, February 6, 2015

Tags: Kelly Link


Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.

ALAN HOLLINGHURST

The Paris Review, winter 2011

Tags: Alan Hollinghurst


In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.

ALI MADEEH HASHMI

"The art of writing", The News on Sunday, March 11, 2017


I'm never lonely when I'm writing, because you live with the characters that are so alive in your mind. And you really see them and know them and get to be friends with them.

JULIE ANDREWS

interview, American Libraries Magazine

Tags: Julie Andrews


Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it.

DORIS LESSING

The Golden Notebook

Tags: Doris Lessing