quotations about writing
I couldn't imagine, and I don't say this with any pride, but I really couldn't imagine writing without a desperate deadline.
HUNTER S. THOMPSON
The Paris Review, fall 2000
You know, many writers really don't like to write. I think this the chief complaint of so many. They hate to write; they do it under the compulsion that makes any artist the victim he is, but they loathe the process of sitting down trying to turn thoughts into reasonable sentences.
HARPER LEE
interview with Roy Newquist, Counterpoints, 1964
One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.
GRAHAM GREENE
The Paris Review, autumn 1953
Go to any lengths to avoid preachiness! If you have to choose between the message and the story, always choose the story.
ELIZABETH ZELVIN
interview, The Fix
Writers, especially when they act in a body and with one direction, have great influence on the public mind.
EDMUND BURKE
Reflections on the Revolution in France
I can't write five words but that I change seven.
DOROTHY PARKER
The Paris Review, summer 1956
You will always have days when you feel like an amateur. When it feels like everybody else is better than you. You will have this nagging suspicion that someone will eventually find you out, call you on your bullshit, realize you're the literary equivalent of a vagrant painting on the side of a wall with a piece of calcified poop. You will have days when the blank page is like being lost in a blizzard. You will sometimes hate what you wrote today, yesterday, or ten years ago. Bad days are part of the package. You just have to shut them out, swaddle your head in tinfoil, and keep writing anyway.
CHUCK WENDIG
The Kick-Ass Writer
Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist's business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.
ANDRE GIDE
Pretexts: Reflections on Literature and Morality
A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.
WILLIAM SHENSTONE
Essays on Men and Manners
The true alchemists do not change lead into gold; they change the world into words.
WILLIAM H. GASS
A Temple of Texts
It's not the word made flesh we want in writing, in poetry and fiction, but the flesh made word.
WILLIAM H. GASS
On Being Blue
In the past, the virtue of women's writing often lay in its divine spontaneity ... But it was also, and much more often, chattering and garrulous ... In future, granted time and books and a little space in the house for herself, literature will become for women, as for men, an art to be studied. Women's gift will be trained and strengthened. The novel will cease to be the dumping-ground for the personal emotions. It will become, more than at present, a work of art like any other, and its resources and its limitations will be explored.
VIRGINIA WOOLF
"Women and Fiction", Granite and Rainbow
Writing sets off a spark in my heart, and I'm going to start a fire.
TIFFANY FERENTINI
"Millennial Writers on Writing", Huffington Post, February 16, 2016
At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.
TENNESSEE WILLIAMS
foreword, Sweet Bird of Youth
If people did not want their stories told, it would be better for them to keep away from me.
SHERWOOD ANDERSON
A Story Teller's Story
A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.
SAUL BELLOW
Nobel lecture, December 12, 1976
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again.
PHILIP ROTH
Ghost Writer
In creating the strange milieu in which your story takes place, you must first understand as well as you possibly can the familiar milieu in which your own life is taking place. Until you have examined and comprehended the world around you, you can't possibly create a complex and believable imaginary world.
ORSON SCOTT CARD
How to Write Science Fiction and Fantasy
I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.
LOUIS AUCHINCLOSS
interview, Bomb Magazine, fall 1997
You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
KELLY LINK
"A Vampire is a Flexible Metaphor: An Interview with Kelly Link", Gigantic Magazine, October 23, 2013